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From time to time every novel writer has to deal with the (sometimes) unpleasant task of killing a character. It's just one of those things that happens. Killing someone isn't easy. (Well, at least some of the time,) but the only time I do it is when it's necessary to enhance the plot.
This first time I killed someone off was when I wrote The Reunion. I must confess, it was a cathartic experience. Jason Matthews, Gillian's ex husband, was one of the villains in the story. Interestingly enough, he was modeled after my real-life ex. Funny how these things happen. So poor Jason, (she writes tongue and cheek), meets an untimely end, and Gillian hears the story of his demise from a police detective. Did I mention that writing it was very cathartic? Afterwards I discussed it with several other lady authors. Many of them had also killed off their ex spouses--in the literary sense, of course. The lesson here, gentlemen, is if your wife or your girlfriend is an author, be nice to her. Your literary counterpart's life may depend on it.
I killed off another villain in The Deception. There were three villains in this story, two of whom were women. I killed one of the women, near the end of the story. Most of the plot had revolved around her conflict with Carrie, the leading lady. In the end, Carrie won battle, however this particular woman soon found a way to get even. Yes, I could have saved it for a possible sequel, but in this case the second conflict was directly related to the first, making a sequel redundant. So, rather than have the storyline repeat itself, I killed the character off, thus ending the conflict once and for all. Besides, she had it coming. I also thought about killing Scott, the deceptive male villain who inspired the title, but this character had children, and I didn't want to orphan them. Scott would instead end up seriously injured. He too had it coming. However, unlike Jason in The Reunion, none of the villains in The Deception were inspired by anyone I know in real life.
In my soon-to-be released novel, The Journey, I killed a supporting character from The Reunion. This time around the character wasn't a villain. She was a character I honestly liked and I tried to come up with a way for her to survive, but when I did the story just wasn't as strong. Her death was an intricate part of the plot. It happens early in the novel, but she still manages to maintain a presence in the rest of the story when other characters reminisce about her, or when they describe the dreams they have about her. Like The Deception, The Journey also has three villains, one male, two female, but this time around I didn't kill any of them. After all, I don't want to be too predictable.